Ron Rich wrote:Matt.
I love your explanation of costs !
There have been (too) many times when someone has asked for an estimate, where I have lost many hours, due to a previous "surgeon", having made an error ! Also, just one "rusted screw" that HAS to come off, in order to "save something", can cost many hours. I really don't know how you guys in the "electronic repair field" can give an "estimate"-- I no longer do so--or if I do, I "Highball" it, or give a "range" only. I do have an "opt-out" on my work order form, that allows the customer to "stop work" at a given point--he must decide to "fill in" the amount space, as it's blank on the form-- Ron Rich
Well Ron, you being one of the kings of Juke, know all too well when working on old, neglected equipment it's loaded with surprises.
I can mostly "ballpark" a restoration job, (having done so many over the years) but indeed it's difficult to give a specific figure.
Plain & simple, they're all different!
One Philco console might run $275 to restore..... yet another identical set might cost $125 more... it may have other issues, a bad speaker, etc.
See what I mean?
And of course, I always add in some form of protection that wasn't designed in.... like fuses or polarized plugs for proper grounding.
Old stuff was built in the era of different electrical safety codes, and I tell my customers it's totally safe to use.
As for putting a cap on costs... I refrain from that practice simply because I dislike doing a "partial" restore on something.... it either gets done
right or not.
After me investing the time and parts costs, it would be a shame to cut corners on a job, resulting in possible problems later on, and I like to avoid the tedious dis-assembly required sometimes required on a set when the job should have been completed in the first place.
Besides, it's a one-time-deal, and properly and completely restoring a set will undoubtably insure it'll last, and these treasures of yore deserve that.
Trust me, I try to keep costs reasonable...... sometimes it's difficult though.
Mostly, customers appreciate me "going that extra mile", it's rough work at times, but the end satisfaction for me
and the customer is worth it.
As for you, Ron, I give you credit... the couple of jukeboxes I've done (AMI-Wurlitzer-Rockola-MusicMite, etc.) are a real pain..... like working on an old car!
I refer people to you out west by the way.
But oh, they sound so sweet when done!

The Internet is a marvelous thing, however it's not a good substitute for actually being there.